六字真言坛城曼陀罗唐卡-明-董其昌书画展

2022-04-27 18:39:56 来源：美术网 作者：美术网友投稿 阅读量：13722

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 展品作者：董其昌
展品年代：明代
展品数量：21幅
展览日期：2018/11/16

开始看展

董其昌(1555-1636)，字玄宰，号思白、香光居士。汉族，松江华亭(今上海闵行区马桥)人，明代书画家。万历十七年进士，授翰林院编修，官至南京礼部尚书，卒后谥"文敏"。董其昌擅画山水，师法董源、巨然、黄公望、倪瓒，笔致清秀中和，恬静疏旷;用墨明洁隽朗，温敦淡荡;青绿设色，古朴典雅。以佛家禅宗喻画，倡"南北宗"论，为"华亭画派"杰出代表，兼有"颜骨赵姿"之美。其画及画论对明末清初画坛影响甚大。书法出入晋唐，自成一格，能诗文。

Dong Qichang (1555-1636), the word Xuanzai, the name Sibai, Xiangguang Gushi. Han nationality, Songjiang Huating (now Maqiao, Minhang District, Shanghai), Ming Dynasty painter and calligrapher. In the seventeenth year of Wanli, he was awarded the edition of Hanlin Academy, and the official went to Nanjing Rite Department to publish the book. After his death, Wen Min was declared "Wen Min". Dong Qichang is good at painting landscapes. He imitates Dong Yuan, Juran, Huang Gongwang and Ni Zan. His brushwork is elegant and neutral, quiet and sparse. His ink is clear and meaningful, and his style is simple and elegant. With Buddhist Zen figurative painting and advocating the theory of "the Southern and Southern Sects", it is an outstanding representative of "Huating Painting School" and has the beauty of "Yan Gu Zhao Zi". His painting and painting theory had a great influence on the painting circle in the late Ming and early Qing Dynasties. Calligraphy in and out of the Jin and Tang Dynasties, self-contained, poetry.

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